24 2016 Eestikeelsed Subtiitrid
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24 2016 Eestikeelsed Subtiitrid
Filmimeeskond
Koordineerimise kunstiosakond : Hudaifa Burdett
Stunt-koordinaator : Abiha Guay
Stsenaariumi kujundus :Orlane Rosa
Pildid : Hannah Afifah
Co-Produzent : Walter Starr
Saatejuht : Reno Kennedy
Juhendava kunsti direktor : Fanny Oconnor
Lavastada : Harrell Jules
Tootja : Lorine Bhavi
Näitleja : Imany Waiz
A scientist invents a time machine but his evil twin brother is after it and will go to any lengths to get the device in his hands.
7.5
47
24 | |
Tund | 112 seconds |
Vabastama | 2016-05-05 |
headus | MPEG-1 1440p BRRip |
liigitusrühm | Action, Science Fiction, Thriller |
speech | தமிழ் |
castname | Aïsha F. Gour, Eliott Z. Yosra, Alleah J. Iain |
[HD] 24 2016 Eestikeelsed Subtiitrid
Lühifilm
Kulutatud : $283,916,351
Sissetulek : $758,820,543
Group : Jungs Prähistorisch - Psychologisches Drama , Kind - Betroffene Ethik , Guru - Military , Zynisch - Dystopie
Tootmisriik : Costa Rica
Tootmine : Mahlateler
24 telessérie – Wikipédia a enciclopédia livre ~ 24 24 Horas no Brasil é uma série de televisão norteamericana produzida para a rede Fox criada por Joel Surnow e Robert Cochran e estrelada por Kiefer Sutherland como agente da Unidade ContraTerrorismo Jack Bauer e Elisha Cuthbert como sua filha no papel de Kim Bauer
24 Live Another Day – Wikipédia a enciclopédia livre ~ 24 Live Another Day títulado no Brasil 24 Viva Um Novo Dia é uma minissérie especial composta por 12 episódios que estreou em 5 de maio de 2014 no canal norteamericano FOX 1 em 6 de maio no Brasil no Canal FOX 2 e estreou em 20 de julho na Rede Globo 3 Situada quatro anos após os acontecimentos da 8 ª temporada da série 24 Horas ela vagamente adere ao conceito de tempo
24 filme de 2016 – Wikipédia a enciclopédia livre ~ 24 é um filme indiano de 2016 dirigido por Vikram Kumar 1 O filme foi escrito e dirigido por Vikram Kumar Baseado no conceito da viagem no tempo e estrelado por Suriya Samantha Ruth Prabhu Nithya Menen e Saranya Ponvannan
Usuárioa Discussão18724141125 – Wikipédia a ~ Usuárioa Discussão18724141125 Saltar para a navegação Saltar para a pesquisa Edição em Atlético Cajazeirense de Desportos Este é o último aviso que receberá pelas suas edições não construtivas tais como as que fez em Atlético Cajazeirense de Desportos Se vandalizar a Wikipédia outra vez você será impedido
A24 autoestrada – Wikipédia a enciclopédia livre ~ A A 24 Autoestrada do Interior Norte é oficialmente uma autoestrada portuguesa que faz a ligação entre a A 25 em Viseu e Chaves fronteira com Espanha possibilitando ainda a ligação ao IP 4 ou recentemente a A 4 em Vila Real e à A 7 próximo de Vila Pouca de Aguiar
Usuárioa Discussão2014824193 – Wikipédia a ~ Psem25832 23h22min de 24 de janeiro de 2020 UTC Diferenças ortográficas Caro editor Sua contribuição para a Wikipédia é bemvinda A Wikipédia em português é escrita e lida por falantes portugueses brasileiros angolanos caboverdianos guineenses equatoguineenses moçambicanos santomenses timorenses e não só
24 de janeiro – Wikipédia a enciclopédia livre ~ 24 de janeiro é o 24º dia do ano no calendário gregoriano Faltam 341 para acabar o ano 342 em anos bissextos Eventos históricos 1984 Lançamento do Macintosh 128K 0 0 41 — Imperador romano Calígula conhecido por sua excentricidade e despotismo sádico é
Rua Vinte e Quatro de Outubro – Wikipédia a enciclopédia ~ A atual rua 24 de Outubro inicialmente era chamada de Estrada da Aldeia dos Anjos e era o caminho natural para aqueles que seguiam rumo a Gravataí à época conhecida como a Aldeia dos Anjos 1 Por ela passavam viajantes em mulas e cavalos peões tocando a boiada carreteiros transportando charque arroz feijão batata milho e hortaliças
Quilate – Wikipédia a enciclopédia livre ~ Ouro 24 quilates ouro puro como é praticamente impossível o ouro ter uma pureza completa o teor máximo é de 9999 e assim chamado de ouro 9999 Impróprio para fabricação de joias por ser muito maleável Ouro 22 quilates 2224 916 de ouro também chamado de ouro 916
Maçonaria – Wikipédia a enciclopédia livre ~ A primeira Grande Loja a Grande Loja de Londres e Westminster mais tarde denominada Grande Loja da Inglaterra foi fundada no dia de São João 24 de junho de 1717 9 quando quatro lojas de Londres se reuniram para um jantar conjunto Muitas lojas inglesas aderiram ao novo órgão regulador que entrou em um período de autopublicidade e expansão
A lot of the events in 24 happen mainly on account of accidents and coincidences, but it is to Vikram Kumar's credit that we buy into those scenes so willfully in this novel and entertaining, but definitely over-long, film that constantly charms us or leaves us thrilled with its inventiveness. The film begins with one such accident when an eagle acts a catalyst for Dr Sethuraman's ( Suriya ) invention — a time machine. He is a famed watchmaker and inventor, living contentedly with his wife Priya (Nithya Menen) and their son. But his look-alike twin brother Athreya is smarting at his success and plans to have the time machine, which is in the form of a watch, for himself. But Sethuraman manages to save both his son and his invention by giving up his own life.
Cut to 26 years later, and the baby has grown up to become Mani (Suriya, again!), a watchmaker, raised by Sathyabama (Saranya Ponvannan in yet another enthu-mom roles). Mani is oblivious to his past, but, by a quirk of fate, he discovers the watch, and over a scene that is a wonderful a piece of movie magic (involving droplets of rain), discovers its power. He uses it to woo Sathya ( Samantha ), a girl who turns up at his store to get her watch repaired — or rather makes her fall in love with him with help from the device. This is the film's light-hearted stretch and Vikram Kumar keeps throwing at us the possibilities that such a time machine offers. One such possibility, a Quicksilver-like ability to freeze time, even involves affecting the outcome of a cricket match! But the romantic portion in the second half is definitely a drag and the situation is made worse by a visually cliched song that has the leads walking around in picture postcard-esque locations. It effectively acts as a second interval.
Meanwhile, Athreya, who has been in coma all these years, regains consciousness (again, this happens by accident and involves an eagle!), and finds himself having aged and paralysed waist down. But with the help of his trusted aide, Mithran tracks down both the watch and Mani and plots to get the device in his hands and go back into the past to rewrite his destiny.
It has been a while since we had a film whose twists and double twists were genuinely surprising and in 24, we are kept slightly off-guard as to what might happen when a character does something. Vikram Kumar doesn't sacrifice the internal logic of the story, so the twists always seem plausible and surprising. Like in the climax, when Mani decides to save his parents by time-travelling to the day they were murdered, and how that pans out. He also balances the sci-fi/fantasy elements with a melodramatic sub-plot, involving Sathyabama, Mani and her estranged family, which invokes the 'amma sentiment' and acts as an unabashed sop for the 'family audiences'.
Technically, the film looks fabulous and this is one rare instance in our films when the cinematography (Tirru), production design (Amit Ray and Subrata Chakraborty) and visual effects (supervised by Julien Troussellier) are superbly in sync with one another. Even the makeup (Clover Wootton and Preetisheel G Singh) is subtle; it's a relief that the team did not go overboard with prosthetics to differentiate Suriya's three roles. Only AR Rahman disappoints with a rather serviceable score.
Still, all the aesthetic triumphs would have been in vain if the film did not have an actor who could keep everything together with his charisma and performance, and this is where Suriya delivers. He turns on his boyish charm, which is needed to make the romantic portions work (with most actors, the character's constant use of the line, 'I am a watch mechanic madam; enakku idhellaam sarva saadhaarnamaana vishayam' would have sounded grating but not here), mellows down during the big emotional scenes (the conversation between Mani and Sathyabama after the former has learned of his lineage) and lets loose his wicked side to make Athreya truly sinister (the shocking interval block). It is not often that we see a big star choosing to take a risk with a script that is not simplistic or formulaic, especially when his last few films have underperformed at the box office, but here Suriya pulls it off admirably.
> The war of the brothers ended by one of theirs son.
The time travel is not new to Indian cinema, but a very less explored concept. Especially technology easily available in todays world, the filmmakers utilising the opportunity at their best. With this kind of theme, Indian films can seek the global market, who is already the number one film producer in the world. But it needs to put a full stop for the traditional narration and characters and character developments. Like the father and son characters are played by the same actor which has not changed since the last 70 years or so. And the film length as well too long to sit for it. Other than these, I enjoyed this film.
So the story begins in the 1990 where the twin brothers go for each others throat for a watch, in which the event finally ends in a total disaster. But not until 26 years later when it reaches for one of theirs son's hands, letting us know it is a time travel device. Then the fun parts, as well as the romance undertakes, until the final act where it becomes serious again and concludes with a twist. The sequel is for sure, they already named it 'Decoded' and I'm looking forward for its official launch.
It was a well written script, but there are too many naturally occurring intense scenes like the bird scenes et cetera. Those were added just to cover up the loops. Since it's a sci-fi and time travel theme, the errors should be taken care or minimise them as much as possible and that's what the writer did. But still there a few silly stuffs like where the watch ends at the end, and adding years and months to the device without the scientific knowledge to make it work.
But still I felt the director of 'Yaavarum Nalam' did a wonderful job. He spent nearly a decade for this script, the hard work finally paid off well. Surya produced it under his 2D entertainment banner and performed so well in the triple roles with the support of other excellent actors. Definitely a great watch for the Indians, for the International audience as well, but a familiar theme makes it a decent entertainer.
8/10
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