Selasa, 04 Juli 2017

Savages 2012 Eestikeelsed Subtiitrid

Savages 2012 Eestikeelsed Subtiitrid









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Savages 2012 Eestikeelsed Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Harquin Audiard

Stunt-koordinaator : Shaniya Odelia

Stsenaariumi kujundus :Fischer Fabien

Pildid : Joia Sunetra
Co-Produzent : Dereck Wadan

Saatejuht : Suhayl Ibrahim

Juhendava kunsti direktor : Genevie Calvert

Lavastada : Merryn Nathaël

Tootja : Tina Rhiya

Näitleja : Marlon Cherise



Pot growers Ben and Chon face off against the Mexican drug cartel who kidnapped their shared girlfriend.

6.4
1377






Filmi Pealkiri

Savages

Time

186 seconds

Vabastama

2012-07-06

väärtus

MPG 1080p
BDRip

kategooria

Crime, Drama, Thriller

language

English

castname

Auclert
C.
Ashayla, Braudel I. Rikardo, Arno M. Sagal





[HD] Savages 2012 Eestikeelsed Subtiitrid



Lühifilm

Kulutatud : $509,901,282

Sissetulek : $912,170,153

categories : Völkermord - Tyranny , Schwert - Skizzen , Erotik - Einfachheit , Wandern - Ethnografisch

Tootmisriik : Japan

Tootmine : Ebano Multimeedia





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Senin, 03 Juli 2017

Justice League 2017 Eestikeelsed Subtiitrid

Justice League 2017 Eestikeelsed Subtiitrid









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Justice League 2017 Eestikeelsed Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Longet Rayssa

Stunt-koordinaator : Travers Hartley

Stsenaariumi kujundus :Jacobs Betsy

Pildid : German Ismaël
Co-Produzent : Lavoie Oneill

Saatejuht : Meline Leconte

Juhendava kunsti direktor : Naïa Dastous

Lavastada : Debi Michele

Tootja : Miraj Lazure

Näitleja : Malakai Nadine



Fuelled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne and Diana Prince assemble a team of metahumans consisting of Barry Allen, Arthur Curry and Victor Stone to face the catastrophic threat of Steppenwolf and the Parademons who are on the hunt for three Mother Boxes on Earth.

6.2
8453






Filmi Pealkiri

Justice League

Time

149 minutes

Vabastama

2017-11-15

väärtus

M4V 1440p
HDTS

Categories

Action, Adventure, Fantasy, Science Fiction

speech

English

castname

Asifa
S.
Newman, Cherree B. Fleury, Rolan I. Bell





[HD] Justice League 2017 Eestikeelsed Subtiitrid



Lühifilm

Kulutatud : $237,193,987

Sissetulek : $446,726,678

Categorie : Zynisch - Bondage , Arbeit - Democracy , Patriotismus - Skepsis , Abstrakt - Sozialismus

Tootmisriik : Peru

Tootmine : Intel Films



The long anticipated “Justice League” has finally arrived finally combining the biggest stars of the DC universe into one film. The proposed film has faced many obstacles on the way to the big screen ranging from script issues, massive reshoots and a change of Director for said reshoots due to a family tragedy that Director Zack Snyder suffered.

The film follows Batman (Ben Affleck) and Wonder Woman (Gal Godot), as they look to assemble a team of other gifted individuals to help fight off a pending invasion.

The death of Superman has left a void on the Earth, and this has paved the way for an ancient evil to return as he attempts to conquer the planet after he collects the three needed artifacts that his plan requires.

In a race against time, Batman and Wonder Woman recruit Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher), to battle to save the planet. Naturally they battle amongst themselves as well as their massing enemies but ultimately decide on a dangerous plan that can tip the odds in their favor and save the day.

The action in the film is good but it often plays out like a video game. With so many blatantly obvious CGI backgrounds, the movie looked like a video game. There were numerous scenes that looked like they were lifted from Injustice and Injustice 2 that I mused to myself that someone must have used their Power Up for the shot.

Affleck and Gadot are good and work well with one another, but there are some serious casting issues with the film. The biggest for me was Ezra Miller as The Flash. I did not like his effeminate, nerdy, socially awkward, and neurotic and at times cowardly take on the character. This is not the Barry Allen I grew up reading in comics or the one that has been portrayed twice in a much better fashion on television. His comic relief status grew old fast and his character really offered little to the film.

It has been well-documented that Joss Whedon not only handled the rewrites for the film but took over directing duties to complete the film. You can see elements of his humor scattered throughout and the film does move along at a steady pace without dragging.

The biggest issue is that so many of the characters are just stiff and one-dimensional. They really are not overly interesting so it is hard to really connect with them and the tasks they are facing. Unlike Marvel who have excelled with dysfunctional groups who fight amongst themselves as well as the forces of evil, this group seems to be going through the paces rather than being fully engaged with the task at hand and each other.

In the end “Justice League” is better than I expected, and the two bonus scenes in the credits show some interesting potential down the road. As it is, it is flawed entertainment that requires audiences to overlook a lot of issues.

3 stars out of 5
An enjoyable superhero team movie. It's really being unfairly trashed by the critics. It's not up to the excellence of this summer's Wonder Woman film, but it's quite fun to watch. What made this film better than some of the other previous DCEU films is that it has a sense of humor. Previous films were rightfully criticized for being too dark and humorless. Gal Gadot is the stand out as Wonder Woman. This film did a better job in its portrayal with Superman. In Man of Steel, he battled Zod, which resulted in massive human casualties, without a care, which does not fit the character at all. That made me mad as a Superman fan. Here, he shows concern for innocent civilians, flying away with an entire building of people to make sure they would not be harmed in the battle against the villain. The one weak spot is the Big Bad, Steppenwolf. He's a rather fake looking CGI creation that lacks depth. But he's only the precursor to the REAL villain--Darkseid. The two end credit scenes are entertaining. The last one teasing the formation of the Legion of Doom/ Injustice League is particularly intriguing.
though thanks to bad reviews I wasn't sure about seeing this one but let me tell you my worries were put to rest very very soon this was one of the best times I have had at the movies this year the critics really missed the mark here I loved all the action and even the humor it was a good family movie as long as you have older kids due to the fact that the villans could be very frightening in spots and also this has a high level of action and it could overwhelm the youngest of kids but I still say get some snacks from the snack bar and be ready to have a super fun time at the movies with the entire family this thanksgiving weekend whether you go alone or take a group this is the movie to see
When it was first announced that 2016 would see _Batman V Superman_ and _Suicide Squad_ movies, I said to myself "Okay, I didn't like _Man of Steel_, but there's two very different DC entries coming up, I'll watch both of them, and if I like even one of them I'm willing to give this franchise a go."

I didn't like either of them.

Marvel had never interested me growing up. I was a Batman-kid through and through, so as hard as a decision as it was to make, I decided I wouldn't be back to watch this run of DC movies, because for me, it was three swings, three misses.

Enter _Wonder Woman_ earlier this year. Though I had decided to not give this film series any more of money, I went back on my word and watched it opening weekend. Half "one-last-hail-Mary" and half "I don't mind voting with my money to see more female-led superhero movies". I loved it so much, that I was instantly back on the DC universe train.

Now we have _Justice League_.

I like to rank franchises according to my personal tastes. When it comes to what I refer to as the "DCIThoughtSheWasWithU" I dislike _Man of Steel_, _BVS_ & _Suicide Squad_ all roughly the same amount for different reasons, so it's tough to work out which comes in second place, which is third an which is fourth. But as surely as I know that _Wonder Woman_ comes first, _Justice League_ comes last.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
**Our childhood superheroes all together !!**


Yet again a new DC installment from one of the most controversial directors of Hollywood Zack Snyder, who directed Man of Steel (2013) and Dawn of Justice (2016). The large of number of nerds around the globe are waiting for this from the childhood to see their favorite iconic heroes team up for the first time in Cinematic history. The basic plot of movie revolves around some deadly external threat wanting to conquer earth like every other CBM adaptations. The movie offers the same story as we see in most of the fandoms where a group of lonesome warriors come together to save earth.

“Men are still good”, deeply inspired by the Superman, Batman has again gained his faith in humanity and wants to start working for it and saving it. The Batman continuing its investigation on what Lex Luthor was planning to do in Dawn in Justice. Diana and him are uniting some new members like Victor Stone Aka Cyborg and Arthur Curry aka Aquaman and Barry Allen aka Flash in order to find their potential for good and unite against common threats when the world need it.The movie shows how people who lives alone finds it hard to adjust among new people. One of most important part of the movie is The Superman in his full character development, and showing to audience that sometimes Superhero needs other Superheroes to save them, because at the end of the day everybody loves a classic DC story where “Superman saving everyone and beating the crap out of bad guys”.

The performance of characters was good as the “material” was given to them. Batman which is played by Ben Affleck in JL was a bit out of character unlike the previous ones i.e. in Dawn Of Justice where he was The Freaking Bat ,The Worst Knightmare. He was purest personification of Frank Miller’s The Dark Knight, brutal, badass emotionless vigilante who everyone fears but in JL he was watered down too low and Yeah the guy smiles too. It may be horrifying to see Joker smiling but trust me its more horrifying to see Batman smiling . After her wonderful victory over RT Gal Gadot could do a lot better. Wonder Woman was kind of distracted and could not establish character as she did it in Dawn Of Justice and Wonder Woman,or may be we were expecting more. Cyborg who is a brilliant sportsman who lost his life after an accident. It was good to see Zack tried to show how life of normal human changes after horrifying accidents. The guy is in conflict with himself which is brilliantly played by Ray Fisher. Just like Ben Affleck Ezra miller too was first hated then became everyone’s favorite kid in JL. His conversations brings the tone of movie somewhat lighter. Now we have king of Atlantis, He looks like Khal Drogo had a kid with some most beautiful mermaid. Thanks to Jason Momoa ,Aquaman is total badass unlike its previous versions . I don’t want to spoil Superman but yeah Henry really nailed it.He finally became The Superman everybody wanted. His journey is complete. He knows why he is here, to save us all. We had another badass mortal on the team, He is Alfred portrayed Sir. Jeremy Irons. Actually we are not in a position to judge Sir Jeremy but yeah he was one of the best parts you will love in JL. We saw his sassy quick-witted talk with Bruce. You may find the movie is not catchy ,may be this was result of messed up situation where Zack Snyder left the movie due to his personal problems and put it in hands of other director Joss Whedon. Those two are totally different in their approaches so it resulted in such situation.

Although you may find a lot of negativity about this movie like previous DC films, because one of the things that audience forgets that DC characters are very dark unlike their contrary Marvel whose characters are cheesy and kind of funny, their stories and plots revolve around words like Hope , Justice and humanity not like Shawarma or Devil’s Anus jokes .This is a average movie not an Avengers movie. One thing I want to say that they kind of rushed to create a team up rather than Solo movies of Characters. This kinds of things makes hard for audience to adjust as they don’t bond with DC characters as easily they do with Marvel one’s. The CGI was somewhat down as compared to other CBM’s and could have been a lot better.


_Overall_, the movie will attract you if you see it as first team up not if you compare with other ones. This DC movie is worth watching.
The much-anticipated Justice League, the follow-up to 2016’s Batman v Superman: Dawn of Justice, was finally released on November 17, 2017. After Batman v Superman and Suicide Squad were both negatively received, Warner Bros. saw a glimmer of hope with the highly-received Wonder Woman and hoped this would push the DCEU forward onto greatness. I saw Justice League on the 19th of November and my consensus: It’s Not Good. Opening to $94 million for its first weekend and with a 40% rating on Rotten Tomatoes, Justice League underperformed both financially and critically. 10 years ago, I would have laughed at the idea of a Guardians of the Galaxy film beating Justice League at the box office and be much better received. Justice League’s performance puts the future of the DCEU in jeopardy.
Due to a personal tragedy in Zack Snyder’s life, he stepped down as director and Joss Whedon (director of The Avengers and Avengers: Age of Ultron) took over post-production with reshoots and filming additional scenes. Most would have assumed that because of Joss Whedon’s reputation, he would be a great asset to the production of Justice League. However, that was strongly not the case. Zack Snyder intended to make this movie with a much lighter tone than Batman v Superman, but Zack Snyder’s style just does not blend well with Joss Whedon’s. What we’re left with is a DC film badly trying to be a Marvel film and the tone is an inconsistent mess throughout. The film loses its sense of identity and doesn’t know what tone (light or dark) it wants to incorporate. Thanks to Warner Bros. meddling with the production of the film and purposely sabotaging Zack Snyder’s vision (as much as I dislike his directing style), we’re left with a film full of sloppy editing and pacing, inconsistent tone, forgettable/unmemorable music, rushed “development” of characters, a terribly developed villain, thin plot and clunky CGI throughout.

The movie directly follows the death of Superman in the previous film, triggering a sense of fear in people and allowing Steppenwolf and his army of Parademons to seek the 3 Mother Boxes on Earth to trigger a mass transformation of the planet. But instead of showcasing his initial invasion on Earth, the film starts off with disjointed scenes that don’t connect with one another. First with a video recording of Superman looking like he doesn’t want to even be recorded, then jumps to Batman using a criminal to capture a Parademon, then again to Wonder Woman thwarting a terrorist plot (which has nothing to do with the overall narrative), then jumps to a fully-bearded Bruce Wayne attempting to recruit Aquaman. There is no smooth transition between scenes and just results in a jumbled mess that really doesn’t show us a sense of urgency as to why Diana and Bruce want to recruit a team of meta-humans.

The movie should really give us a reason as to why Steppenwolf should be feared, but instead, he is portrayed as a generic, badly rendered CGI figure that utters generic villain dialogue and just suddenly appears in Themiscyra through a Boom Tube. We are not given a scene showing who Steppenwolf is or why he’s returned to Earth before arriving to Themiscyra. While there is a scene showing Steppenwolf’s original invasion on Earth and his subsequent defeat by the combines forces of Humans, Atlanteans, Amazonians and Green Lanterns, it’s narrated by Wonder Woman and misplaced during a random moment when she’s explaining the Mother Boxes after he has invaded Themiscyra. The movie should have started off with developing a strong sense of interest for Steppenwolf and his reason for obtaining the Mother Boxes (is he doing this on his own accord or is a higher being – Darkseid – ordering him to do so?). Then show his original invasion on Earth without having Wonder Woman to tell us about Steppenwolf. Steppenwolf is basically Loki: They both wore a helmet with horns, they were both given orders by a higher being to retrieve a box (or boxes), they both commanded an army of disposable CGI monsters, they both arrived to Earth through a portal, and both attempted to conquer the world. But the big difference? Loki is actually likeable, while Steppenwolf is greatly forgettable.

Superman, the “beacon of hope” as described by Bruce Wayne, is nothing of the sort. He was portrayed as a strongly brooding figure in both Man of Steel and Batman v Superman, but we do not once see Superman acting as this beacon. Instead, he looked as if he hates saving people and always has a blank expression on his face. There is no sense of romance between him and Lois or him being a beacon of hope, we’re just told that and are expected to believe that. However, his character sees much improvement in Justice League. One of the aspects I enjoyed about the film was actually Superman. In the film’s climax, he actually felt and acted like the Superman we all knew and loved in the past (excluding his two previous films). His revival was quite satisfying, especially when Bruce knew he may not be the same person as before. Then we’re given a glimpse into an Evil Superman where he easily manages to take on all the Justice League members. What I especially liked was seeing The Flash attempt to run behind Superman and as he’s in the Speed Force, Superman moves his eyes and head to stare directly at Barry, catches him off-guard and he’s left with a “WTF” expression on his face. This was honestly one of the best moments of the entire film, but is very short-lived. Lois Lane comes to the rescue and seems to knock Superman out of his disoriented state and they fly back to Smallville. After some brief dialogue, Superman seems to be back to his old self. I just felt his state of mind reverting back to his original self was rushed and relied heavily on Lois Lane to do the job.

Batman is seen as the weakest member of the Justice League and is turned into a complete joke in this film. He even utters one-liners and is a much more light-hearted character in stark contrast to his debut in Batman v Superman. It’s very out of character for Bruce Wayne/Batman to be this way. It makes him seem like the DC equivalent of Tony Stark. It’s also apparent that Ben Affleck wants to no longer play Batman, I can totally tell that he just doesn’t seem to care anymore about the role. But he is given terrible material to work with, and I can understand why he would want to stop playing the role. I just hope Ben Affleck can see a glimmer of hope in the upcoming Batman solo reboot.

Not much to say about Wonder Woman, since her solo film was spectacular and she continued to be damn amazing in this film, but I was utterly disgusted that DC felt it was necessary to overly-sexualize her by capturing close shots of her chest and ass. They even get up-skirt shots of her. It undermines her character established in her solo film and delegates her to being mere eye candy in the eyes of men. Plus the terrorist plot she thwarted, though it was an awesome moment, has no purpose and was a waste of screen time.

Cyborg is easily the least interesting character of the group. There’s brief development that I assume he holds resentment towards his father for bringing him back as “monster.” We’re not given an inner struggle with Cyborg struggling to deal with the fact of his condition, but the film has to quickly gloss over the Justice League members introduced in Batman v Superman via e-mail attachment in order to form the team. His only shining moment is in the final battle where he is the only one that can separate the Mother Boxes before Steppenwolf can enact his plan. But in Batman v Superman, from the video file, it seemed as if the Mother Box fused with Cyborg, so why is the box still a separate entity? It should have been fused with Cyborg and would raise the stakes a bit higher because Steppenwolf could use Cyborg to fuse with the other Mother Boxes and would force the Justice League to do everything in their power to save him.

Ezra Miller’s The Flash seems to be DC’s response to Tom Holland’s Spider-Man. However, The Flash is a much worse version of Spider-Man with very cringe-worthy dialogue. He’s socially awkward and without hesitation, he immediately agrees to join Bruce Wayne for the reason of wanting friends. What the hell? We saw some development with Barry Allen striving to prove his father’s innocence, but why join the Justice League for the sole purpose of making friends? Plus he even explains to Batman that he has never been in a battle, yet he was shown to be the one that apprehended Captain Boomerang. He is never given a shining moment except for saving a family in Russia and challenging Superman to a race in the mid-credits scene.

Jason Momoa as Aquaman was actually amazing, though he is bogged down by very limited screen time and little to no development. It honestly makes me quite excited for the upcoming Aquaman solo film slated for release late-2018. But a major annoyance I had with Aquaman was that he completely disappears from the movie after fighting off Steppenwolf, then suddenly reappears when the team is fighting Steppenwolf and Parademons in the sewers. There is no explanation as to how he arrived to the sewers, he just appears there. And that is the only time we truly see his powers is when he stops a column of water from flushing them out. In the final battle, they are nowhere near a water source, so what good is Aquaman if he cannot use his powers? However, it leaves me wanting to know more about Aquaman. Despite those annoyances, I thought the scene where Aquaman is unknowingly sitting on the Lasso of Truth and starts to speak the truth about their situation was fantastic and quite humorous, especially his reaction to when he realizes he was sitting on the lasso.

The final battle between Steppenwolf and his army of Parademons against the Justice League has very low stakes and takes place in an obscure location in Russia. Unlike The Avengers, where the battle took place in New York and resulted in severe collateral damage, which raised the stakes a lot, Justice League’s climax doesn’t have a sense of world-ending urgency. It’s just a giant CGI battle with the only memorable moment being Aquaman riding a Parademon through a building. There’s no shining moments like Hulk slamming Loki or Hawkeye jumping off the building and shooting at the Chitauri as he’s falling. As Cyborg is struggling to separate the Mother Boxes, Superman appears when all hope seems to be lost and absolutely beats the shit out of Steppenwolf, breaking his weapon and his own Parademons attack him since they smell his fear of defeat. It made Steppenwolf seem like nothing but a giant push-over. But what especially irks me is that the original plan was to have Steppenwolf attempt to sway Superman to join him, Superman is given an apocalyptic vision( similar to the one Batman saw) and he actually sees Darkseid and this snaps Superman out of it and he delivers the final blow to defeat Steppenwolf.

Though it’s a competent film and I really wanted to enjoy this film, Justice League is a complete let-down that should have been a huge movie event. Given its box office numbers and critical reception, this puts the future of the DCEU in a troubling position. They really should have given each of the heroes a solo film before releasing Justice League, but it’s apparent that Warner Bros. was way more concerned with catching up with Marvel than actually developing a shared universe with well-developed characters. Justice League just did not resonate with me and we can mainly thank Warner Bros. for rushing this film and delivering a disappointing product.

Closing Comments
- When Cyborg links up to the Nightcrawler, Alfred asks him if he knows him. Alfred and Diana were in the Batcave together when Cyborg reached out to them, Alfred should have recognized his voice completely.
- Steppenwolf should have been a much better-developed villain with a well-defined purpose.
- Mixing the styles of two directors in this film gave it a wildly inconsistent tone.
- The humor, thought it did lighten up the mood, doesn’t work well with Zack Snyder’s style and feels out of place.
- What was the deal with putting so much focus on that Russian family? It takes you out of the element of the final battle and is a cheap attempt at raising the stakes.
- When Steppenwolf was first defeated thousands of years ago, why did they all entrust the humans with a Mother Box? Shouldn’t the Green Lantern Corps be alerted that one of their own perished in the battle? They could have taken the Mother Box back with them, but they didn’t.
- Overall, the movie suffers from trying to do too much with too little time. DC really needs to reevaluate their future releases and as much as we all want another Justice League, they should put all their focus on standalone titles to fully flesh out their characters for now.
- That post-credits scene featuring Slade Wilson/Deathstroke visiting a recently escaped and bald Lex Luthor is a set-up for the Injustice League/Legion of Doom, which would make for an interesting idea for the Justice League sequel (if it does happen).

Rating: 4/10
This was my type of Super Hero movie. Simple, straightforward plot without much social nonsens and preaching. Little in terms of the all too common whining and sel pitying by the heroes. They are heroes all the way without any nonsensical vendettas or moral bullshit (mostly). There is an episode with a temporary memory lapse and some unnecessary slowdown but it is quickly dealt with.

On Wikipedia you can read that the movie was criticized for its “overuse of CGI”. Well, go watch another movie then for Christ sake! News Flash: It is a Super Hero movie! There are supposed to be a shitload of CGI in a super hero movie. Personally I enjoyed every second of the FX loaded scenes.

I am quite happy to finally see a real Super Hero movie and especially to see Batman and Superman again after that utterly abysmal train wreck Batman v. Superman.

I liked all the heros in this movie. The Flash was a bit silly at times but it was bearable. Gal Gadot is as hot (I had to say it) as ever as Wonder Woman. There are a few comical moments but luckily they are not overdone. Aquaman accidentally sitting on Wonder Woman’s “truth lasso” was quite hilarious actually.

The SF was generally great. I really liked the explosive action scenes. The colorful tendrils that invaded the land around Steppenwolf’s lair was a bit si-so though. They should have kept them just black and red at least.
Steppenwolf himself was okay. From a distance he was pretty great but up close (and there was really too many up close scenes of him) he looked…not so great, especially when talking.

There are a couple of stupid faults of course. Usually involving the good guys just standing around looking while the bad guy screws them. Leaving the, obviously, all important third mother box unguarded and the lust looking stupid when Steppenwolf grabbed it was a real low.

Anyway, I really liked this movie. I do hope we get more like it.
The length is so fitting on the storytelling, what else does everyone need? I know that the trailer had so many scenes that we wanted to see, but for me, the movie and its duration are perfect!

The performances were amazing, especially Jason Momoa as Arthur Curry/Aquaman!

And the story was great, but not lie BvS, my favorite DCEU movie actually, but still, it has a great story though!

The CGI of Steppenwolf was great too, Steppenwolf as a character was threatening and violent, and that's a thing I wanted to see actually! The CGI in general was great and stunning!

A Justice League movie that every DC fan deserves in my opinion.

I'm gonna give it a 10/10, I think it's an amazing movie, with such great stuff in it.. and it's absolutely worth watching!
The Movie was highly paced. The movie was focusing on how the Justice league assembles. Stupidly shown the Mother Boxes and Stepenwolf. No future prospectus or hints unlike Dawn of Justice. Darkseid and Stepenwolf relation unknown. The movie falls apart as it was mainly focused on Resurrection of Superman and Assemble of other members.
Never lived up to its hype. The story was a bit rushed, the humor was forced, and it was a bit messy. All were happening at once that you couldn’t understand what was going on.
I have to say, I find it lighthearted and entertaining at least, though sometimes, you will find the plot to be rather confusing.
I think hardcore DC comic fans will appreciate the movie more than the general audience will. Being a DC fan, I enjoyed it a bit more because of the references from the comic books that it made.
A good movie with all your favorite characters. Pretty entertaining, but it won't match up to the meticulous world-building of the MCU. Still, a pretty decent movie.
The biggest flaw of the film was that it didn’t fully utilized its characters. They just jumbled up some of the members of the Justice League from the comics, gave it a substandard representation of a villain, and called it a day.
Great potential, poor execution. I was disappointed, to be honest. We were expecting a lot for this movie, but I guess DCEU was a tad bit too late in the film game. Their TV series was much more promising than their movies.
It was a pretty decent movie. Better than what I expected, but it was deeply flawed.
The Flash was definitely the comic relief for this one! I thoroughly enjoyed it, but I would have liked it, even more, if it is not kind of being rushed.
If I can point it all out, there is so much wrong with this movie, especially the villain. I will choose Batman v Superman, which had really awesome action scenes, than this Justice League.
DCEU is making a comeback with this one! Finally, after many years of slumber, it is catching up with MCU at least. Although I can say it is not the best of the best, at least, they are finally learning.
DCEU is making a comeback with this one! Finally, after many years of slumber, it is catching up with MCU at least. Although I can say it is not the best of the best, at least, they are finally learning.

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Love per Square Foot 2018 Eestikeelsed Subtiitrid

Love per Square Foot 2018 Eestikeelsed Subtiitrid









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Love per Square Foot 2018 Eestikeelsed Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Cogniet Melih

Stunt-koordinaator : Mihnea Stevens

Stsenaariumi kujundus :Joan Bénabar

Pildid : Bria Belda
Co-Produzent : Phoenyx Nishta

Saatejuht : Danni Hahn

Juhendava kunsti direktor : Talbot Surayya

Lavastada : Desirat Edwardo

Tootja : Tehzeeb Flori

Näitleja : Bret Seel



Individually, bank employees Sanjay and Karina don't earn enough to be able to buy a home, so they decide to enter into a marriage of convenience.

6.9
51






Filmi Pealkiri

Love per Square Foot

Periood

121 minutes

Vabastama

2018-02-14

sort

Dolby Digital 1080p
WEBrip

klass

Comedy, Romance

language

हिन्दी

castname

Tracey
I.
Raison, Ilies S. Fodé, Ilan A. Prewitt





[HD] Love per Square Foot 2018 Eestikeelsed Subtiitrid



Lühifilm

Kulutatud : $882,954,190

Sissetulek : $834,540,983

Categorie : Zweitens der Name - Weihnachten , Erotik - Einfach , Liebe - Surrealistisch , Raub - Battlefield

Tootmisriik : Usbekistan

Tootmine : Calidra BV





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Sabtu, 01 Juli 2017

Motherless Brooklyn 2019 Eestikeelsed Subtiitrid

Motherless Brooklyn 2019 Eestikeelsed Subtiitrid









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Motherless Brooklyn 2019 Eestikeelsed Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Darcia Charly

Stunt-koordinaator : Giulia Maeline

Stsenaariumi kujundus :Fatim Arielle

Pildid : Rejan Raekwon
Co-Produzent : Merle Inayah

Saatejuht : Dounia Jameson

Juhendava kunsti direktor : Elada Corto

Lavastada : Lilimae Edvinas

Tootja : Boulle Laloux

Näitleja : Manon Guay



Lionel Essrog, a private detective living with Tourette syndrome, ventures to solve the murder of his mentor and best friend — a mystery that carries him from the gin-soaked jazz clubs of Harlem to the slums of Brooklyn to the gilded halls of New York's power brokers.

6.9
289






Filmi Pealkiri

Motherless Brooklyn

Time

115 minutes

Vabastama

2019-10-31

tunnus

AVCHD 720p
WEB-DL

järk

Thriller, Drama, Mystery

speech

English

castname

Lessard
V.
Merlyn, Markus F. Ysee, Hack V. Davion





[HD] Motherless Brooklyn 2019 Eestikeelsed Subtiitrid



Lühifilm

Kulutatud : $792,463,316

Sissetulek : $014,362,231

Group : Samurai - Neid , Epoche Film - Hoffnung , Bögen En Ciel - Physiologie , Blasphemie - Biographie

Tootmisriik : Kenia

Tootmine : Vaherpildid



**_Looks great and is well acted, but the pacing is turgid_**

>_I raise my stein to the builder who can remove ghettos without removing people as I hail the chef who can make omelettes without breaking eggs._

- Robert Moses; Open letter to Robert Caro, refuting many of the claims in Caro's biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (August 26, 1974)

>_Have you ever felt, in the course of reading a detective novel, a guilty thrill of relief at having a character murdered before he can step onto the page and burden you with his actual existence? Detect__ive stories always have too many characters anyway. And characters mentioned early on but never sighted, just lingering offstage, take on an awful portentous quality. Better to have them gone._

- Jonathan Lethem; _Motherless Brooklyn_ (1999)

In his introduction to _The Wire: Truth Be Told_ (the official companion book to the greatest TV show ever made), series creator David Simon writes that although it may appear to be a cop show, in reality, _The Wire_ is "_about politics and sociology, and, at the risk of boring viewers with the very notion, macroeconomics._" In a similar(ish) manner, Jonathan Lethem's 1999 novel _Motherless Brooklyn_ may appear to be an old-fashioned private-eye noir, but in reality, it's about gentrification, institutionalised racism, political corruption, and how such things are woven into New York City's historical fabric. It's about how the city of today was built on the cruelty, prejudice, lies, and unchecked power of yesterday.

Lethem's novel is a fascinating and quintessentially postmodern narrative, fracturing the relationship between the physical and the temporal by taking the sensibilities of 1950s gumshoe noir and supplanting them into an end-of-century _milieu_. On the other hand, the 1957-set film is more literal, less interested in playing with form. Written for the screen, produced, directed by, and starring Edward Norton, this two-decades-in-the-making passion project asks how much corruption are we willing to forgive and whether truth and ideals even matter in a world in which there's a direct confluence between power and amorality. However, far too in reverence to films such as Roman Polański's _Chinatown_ (1974) and Curtis Hanson's _L.A. Confidential_ (1997), _Motherless Brooklyn_ is your average noir mystery – a likable but flawed protagonist begins what seems like a fairly straightforward investigation, only to be led down a rabbit hole of corruption and power games, until he's in the midst of an elaborate political conspiracy. And whilst it's aesthetically impressive (the period detail drips off the screen) and the acting is universally excellent, the film can be spectacularly on the nose and didactic. It also moves at a snail's pace, and Norton is never really able to generate any sense of urgency, making the whole thing feel laborious, and, ultimately, rather pointless.

New York City, 1957. World War II veteran Frank Minna (Bruce Willis) runs a small PI firm, employing Tony Vermonte (Bobby Cannavale), Danny Fantyl (Dallas Roberts), Gilbert Coney (Ethan Suplee), and Lionel Essrog (Norton), all of whom Minna rescued from an abusive orphanage when they were still children. He's most fond of Essrog, who suffers from what we know today as Tourette Syndrome – uncontrollable tics and the tendency to blurt out random words and phrases, which becomes worse when he's nervous. However, he also has a photographic memory. As the film begins, Essrog and Coney are listening in on a clandestine meeting between Minna and unidentified parties. When the meeting becomes contentious, tragedy strikes, and although none of Minna's staff know who he was meeting or what he was investigating, Essrog determines to get to the bottom of the case, slowly unearthing a labyrinthine conspiracy involving local government, urban redevelopment plans, and housing relocation programs. Along the way, he encounters Laura Rose (Gugu Mbatha-Raw), an activist campaigning against gentrification; Moses Randolph (Alec Baldwin), a powerful real estate developer who plans to expand New York's road network and build multiple new bridges despite the fact that to do so, he'll have to demolish several lower-income neighbourhoods; Paul (Willem Dafoe), an engineer who has a history with Randolph; Gabby Horowitz (Cherry Jones), the leader of the activist group of which Laura is a member; a brilliant but mysterious jazz musician (Michael K. Williams); Julia Minna (Leslie Mann), Frank's wife; William Lieberman (Josh Pais), Randolph's right-hand man; Lou (Fisher Stevens), one of Randolph's thugs; and Billy Rose (Robert Wisdom), Laura's father and the owner of a jazz club at the centre of the mystery.

Anyone familiar with the novel will immediately recognise that Norton has made sweeping changes, not just in terms of relocating the story to 1957 (thus making explicit what was so indelibly postmodern in the book), but so too in terms of plot and character. The most significant addition is Moses Randolph, who's clearly based on New York's so-called "master builder" Robert Moses, the man largely responsible for the city's high-way infrastructure, the departure of the Brooklyn Dodgers to LA, the development of Long Island, whose controversial philosophies regarding urban redevelopment continue to be implemented all over the world, and who once held 12 civil service titles (including President of the Long Island State Park Commission, Chairman of the New York State Council of Parks, Recreation and Historic Preservation, Secretary of State of New York, Commissioner of the New York City Department of Parks and Recreation, and Commissioner of the New York City Department of City Planning) despite never being elected to public office. Operating with almost complete autonomy from regulatory oversight, Moses was a narcissist obsessed with power, and an amoral racist, and so too is the character in the film. Indeed, although the film is ostensibly based on Lethem's novel, it contains more than a hint of Robert Caro's magisterial Pulitzer Prize-winning biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (1974).

_Motherless Brooklyn_'s most obvious strength is its aesthetic, about which I really can't say enough. The production design by Beth Mickle (_Drive_; _Only God Forgives_; _Lost River_), the art direction by Michael Ahern (_Stake Land_; _Arbitrage_; _The Drop_), and the costume design by Amy Roth (_Top Five_; _Two Night Stand_; _Indignation_) are all exceptional, contributing to the nuanced and immersive period-specific tone, with the milieu feeling lived-in and completely authentic.

Norton's direction is, for the most part, straightforward and unfussy, but one visual motif he uses several times is shooting directly from Essrog's POV. First-person shots in cinema are infrequent enough that when a director uses the technique a few times, it stands out. What's most interesting here is when Norton uses it – three scenes in which Essrog is lying on his back either currently being beaten up, or having recently been beaten up. It's a nice (if somewhat unsubtle) directorial choice, drawing us directly into Essrog's experience, but only when he's at his most vulnerable. On the other hand, the tonally inconsistent use of dream scenes is far less effective, feeling as if they're from another film entirely.

In terms of the decision to set the film in the 50s, it actually makes sense. One of the reasons the novel works so well is because the modern setting clashes with the mannerisms of the characters, the style of the dialogue, the cadences of the plot, all of which are straight out of classic 40s and 50s noir. The effect of this is quintessentially postmodern – a self-reflexive pastiche that's drawn from both the 50s and the 90s, and yet which belongs to neither. And although this works tremendously on the page, Norton argued (correctly, I think) that to try to replicate this on film – have the story set in 2019 (or even 1999), but told in the manner of a classic noir – wouldn't work, as it would send mixed and confusing messages to the audience.

And so, he simply relocated the story to the time-period which underpins the style of the novel. With this in mind, the film features many of the trappings of classic noir – the world-weary private eye, the laconic voiceover speaking directly to the audience from an unspecified point in time, the seemingly important clues which ultimately lead nowhere, the seemingly irrelevant clues which ultimately lead somewhere, the smooth (so smooth) jazz score, the smoky (so smoky) jazz clubs, the chiaroscuro lighting (albeit very restrained), the antagonist who seems to see all, the political corruption. There's even a scene in which Essrog finds an address written on a pack of matches. About the only thing missing is a femme fatale, although there is a woman who may (or may not) know more than she's letting on.

For all its thematic importance and laudable aesthetic aspects, however, I found _Motherless Brooklyn_ disappointing. For one thing, there's the pacing, which is so lacking in forward-momentum that the story is practically somnolent. The narrative is unfocused and flabby, needing at least one more editorial pass, occasionally doubling back on itself and wasting time giving the audience information we already possess. Partly because of this, it's a good 20 minutes too long (at least), and much of it feels like padding – characters that do nothing, clues that lead nowhere, scenes which don't advance the story or develop the characters. I understand Norton wanted to let the material breath (the novel is around 300 pages), but there's a difference between giving the characters and themes room to develop and stalling for the sake of it, and so much of the film feels like the latter.

There's also a significant disconnect between the politics and the detective story. In _Chinatown_, everything feels organic – the personal and the political are intertwined, with the political elements never feeling artificially shaped so as to fit a generic template, or the genre structure never feeling artificially bolstered with extraneous political elements. In _Motherless Brooklyn_, however, Norton is never really able to integrate the two, leading to a kind of identity crisis, with the film unable to find a comfortable middle ground – in trying to be both a noir mystery and a societal commentary, it ends up as neither. Another issue is that because the novel features 50s values displaced into the last years of the century, the endemic racism is deeply disturbing – society today is more enlightened about such things, but here's a novel in which characters are acting like it's 40 years prior despite being set in a modern _milieu_. This is a vital part of Lethem's postmodernist deconstruction of power structures. However, with the film set in the actual 1950s, the racism just comes across as period-appropriate window dressing, losing virtually all of its thematic potency.

An old-fashioned detective story with a lot on its mind, Norton's passion for the material is self-evident. However, that passion hasn't translated into an especially good film. Void of almost any tension, although it looks great, _Motherless Brooklyn_ fails to unify its genre elements and its political preoccupations, resulting in a film unsure of its own identity and unable to make us care about much of what it depicts.
It's a difficult task to pace a noir for a modern audience, and you can feel the two and a half hour runtime. The story is interesting and the parallels to America in the present day are welcomed, but there isn't enough tonal balance to contrast all the shadowy moodiness. The plot is on the more convoluted side, and you'd imagine that with it being a story about following a trail of clues, 'Motherless Brooklyn' would reward repeat viewings - but I'm not sure I would optionally sit through all of it again. There is nothing inherently wrong with this film, bar some odd edits and framing choices, and Norton tackles the material fairly well, creating a great tribute to the noir era of filmmaking. It sometimes treads the line of parody rather than homage, but for anyone in the mood for crime mystery in the vein of 'Chinatown' or 'L.A. Confidential', this will absolutely hit the spot.
- Joel Kalkopf

Read Joel's full article...
https://www.maketheswitch.com.au/article/review-motherless-brooklyn-a-neo-noir-set-in-1950s-new-york

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Tall Girl 2019 Eestikeelsed Subtiitrid

Tall Girl 2019 Eestikeelsed Subtiitrid









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Tall Girl 2019 Eestikeelsed Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Chyanne Christ

Stunt-koordinaator : Syra Shanika

Stsenaariumi kujundus :Debreu Burns

Pildid : Idrissa Bourque
Co-Produzent : Iraida Sosa

Saatejuht : Mimosa Darras

Juhendava kunsti direktor : Sabine Foster

Lavastada : Momnah Jinay

Tootja : Patry Issiaka

Näitleja : June Nawal



Jodi, the tallest girl in her high school, has always felt uncomfortable in her own skin. But after years of slouching, being made fun of, and avoiding attention at all costs, Jodi finally decides to find the confidence to stand tall.

6.2
774






Filmi Pealkiri

Tall Girl

Moment

122 minute

Vabastama

2019-09-13

kvaliteet

AVCHD 1080p
WEBrip

Category

Comedy, Drama, Romance

language

English, 日本語, Español, svenska

castname

Eirin
Q.
Gladu, Swati N. Hartman, Taniyah D. Karyn





[HD] Tall Girl 2019 Eestikeelsed Subtiitrid



Lühifilm

Kulutatud : $986,010,741

Sissetulek : $078,965,835

Categorie : Ideen - Universum , Tod - Poetry , Schrecken - Kampfkunst , Wirtschaft - Weihnachten

Tootmisriik : Afghanistan

Tootmine : Aktuaalne televisioon





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Die Another Day 2002 Eestikeelsed Subtiitrid

Die Another Day 2002 Eestikeelsed Subtiitrid









Die Another Day 2002 Eestikeelsed Subtiitrid-camila-central-.com-2002-julyseptember-Die Another Day-death-cast-online anschauen-MPEG-1-west-bleach-janko-2002-good-Die Another Day-hydra-hd online-james-list-detectives-2002-debicki-Die Another Day-cartoon-cinemas-2002-BRRip-colman-foster-ferengi-2002-billy-Die Another Day-relationship-MPE-httpswww.cbr.com-2.6-widely-2002-pantelion-Die Another Day-jordan-Google Play.jpg



Die Another Day 2002 Eestikeelsed Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Hardy Eralda

Stunt-koordinaator : Bette Stuti

Stsenaariumi kujundus :Ruben Wanda

Pildid : Azura Elektra
Co-Produzent : Issac Rovan

Saatejuht : Ayane Maemi

Juhendava kunsti direktor : Isabela Tessie

Lavastada : Jonah Laima

Tootja : Josilyn Hektor

Näitleja : Teodor Kalina



Bond takes on a North Korean leader who undergoes DNA replacement procedures that allow him to assume different identities. American agent, Jinx Johnson assists Bond in his attempt to thwart the villain's plans to exploit a satellite that is powered by solar energy.

5.9
2061






Filmi Pealkiri

Die Another Day

Moment

188 seconds

Vabastama

2002-11-17

kvaliteet

M2V 1080p
DVDScr

Category

Adventure, Action, Thriller

speech

English, 한국어/조선말, 广州话 / 廣州話, Deutsch, Español, Íslenska, Italiano

castname

Derya
I.
Ledio, Buddug C. Nardos, Acosta F. Sévigné





[HD] Die Another Day 2002 Eestikeelsed Subtiitrid



Lühifilm

Kulutatud : $579,731,951

Sissetulek : $022,189,413

categories : dumm - Zynismus , Anthologie - Bibliothek , Menschlichkeit - Linguistik , Ethik - Chor

Tootmisriik : Bulgarien

Tootmine : RAM Film


Dividend yield – Wikipédia a enciclopédia livre ~ Dividend Yield abreviadamente DY é uma expressão inglesa que traduzida literalmente significa rendimento do dividendo É um índice criado para medir a rentabilidade dos dividendos de uma empresa em relação ao preço de suas ações Este índice traz o benefício de poder comparar a rentabilidade dos dividendos entre empresas É a

Lista de satélites naturais do Sistema Solar – Wikipédia ~ Os planetas e os planetas anões oficiais do Sistema Solar são até onde se sabe orbitados por 214 satélites naturais ou luas 19 satélites do Sistema Solar são grandes o suficiente para serem arredondados devido ao efeito de sua gravidade e portanto seriam considerados planetas ou planetas anões se estivessem em órbita direta ao redor do Sol

Diana Princesa de Gales – Wikipédia a enciclopédia livre ~ Diana Frances Spencer Sandringham 1 de julho de 1961 — Paris 31 de agosto de 1997 apelidada de Lady Di foi uma aristocrata filantropa e a primeira esposa de Carlos Príncipe de Gales filho mais velho e herdeiro aparente de Isabel II do Reino Unido 1 Seus dois filhos os príncipes Guilherme Duque de Cambridge e Henrique Duque de Sussex são respectivamente o segundo e o sexto

Lista de abreviaturas – Wikipédia a enciclopédia livre ~ Esta página ou seção precisa ser wikificada Por favor ajude a formatar esta página de acordo com as diretrizes estabelecidas Julho de 2010

Fórmula de Feynman–Kac – Wikipédia a enciclopédia livre ~ A fórmula de Feynman–Kac que recebe este nome em homenagem ao físico norteamericano Richard Feynman e ao matemático polonês Mark Kac estabelece uma ligação entre equações diferenciais parciais EDPs parabólicas e processos estocásticosA fórmula oferece um método para resolver algumas EDPs pela simulação de caminhos aleatórios de um processo estocástico

Teorema de Green – Wikipédia a enciclopédia livre ~ Em matemática o teorema de Green relaciona a integral de linha ao longo de uma curva fechada no plano com a integral dupla sobre a região limitada por essa curva em outras palavras ele estabelece uma relação entre a integral dupla de uma região D e a integral de linha ao longo de sua fronteira 1 Este teorema foi demonstrado pelo matemático britânico George Green em 1828 e é um

Diferencial total – Wikipédia a enciclopédia livre ~ Os pontos formam um paralelograma nesse plano A variação total da função que corresponde à diferença de altura entre o vértice mais alto e o mais baixo do paralelograma é a soma das diferenças de altura entre os vértices superior a um dos intermediários e deste ao inferior Como as derivadas parciais são as tangentes dos ângulos em cada

Coordenadas polares – Wikipédia a enciclopédia livre ~ Em matemática as coordenadas polares são um sistema de coordenadas bidimensional em que cada ponto no plano é determinado por uma distância e um ângulo em relação a um ponto fixo de referência O ponto de referência análogo a origem no sistema cartesiano é chamado de polo e a semirreta do polo na direção de referência é o eixo polarA distância a partir do polo é chamada

Funções implícitas e explícitas – Wikipédia a ~ Na matemática usamse os termos função implícita e função explícita para designar funções definidas por expressões matemáticas 1 sendo que nas funções explícitas a fórmula é dada como fx φx em que φ é uma expressão em x ou seja utiliza apenas constantes funções anteriormente definidas e a variável x 2 nas funções implícitas a fórmula é dada como

Integral Gaussiana – Wikipédia a enciclopédia livre ~ A Integral Gaussiana também conhecida como a Integral de EulerPoisson é a integral da função Gaussiana e −x 2 em toda a reta real Seu nome é dado em homenagem ao matemático e físico Carl Friedrich GaussA integral vale ∫ − ∞ ∞ − Essa integral tem diversas aplicações em ciências exatas como física ou estatística visto que a distribuição normal descreve uma




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Cake 2014 Eestikeelsed Subtiitrid

Cake 2014 Eestikeelsed Subtiitrid









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Cake 2014 Eestikeelsed Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Denyse Éthan

Stunt-koordinaator : Chun Mert

Stsenaariumi kujundus :Vlady Darnell

Pildid : Elkaïm Namo
Co-Produzent : Jace Zaynab

Saatejuht : Hansel Rayna

Juhendava kunsti direktor : Remmie Jagdeep

Lavastada : Junie Mariana

Tootja : Hemen Khamari

Näitleja : Fidela Trenet



After having visions of a member of her support group who killed herself, a woman who also suffers with chronic pain seeks out the widower of the suicide.

6.3
618






Filmi Pealkiri

Cake

Time

117 minutes

Vabastama

2014-09-07

omadus

AVCHD 720p
BDRip

klass

Drama

speech

Español, English

castname

Laila
L.
Langley, Heera J. Rosario, Elyan H. Kayci





[HD] Cake 2014 Eestikeelsed Subtiitrid



Lühifilm

Kulutatud : $525,165,830

Sissetulek : $153,586,001

Group : Erlösung - Aufnahme , Erotik - Umweltverschmutzung , Toleranz - Zynismus , Isolation - Benzin

Tootmisriik : Laos

Tootmine : Wild Road





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